Wednesday, January 22, 2014

Fear, Love and Art Order


Inspire
 1. Fill with the urge or ability to do or feel something, especially to do something creative:
2. To cause (something) to happen or be created
 from the Latin inspirare 'breathe into',

In October I hosted another month-long art challenge blog called Month of Fear with over 20 artists contributing. There was a ton of tremendous new work from everyone and I created some of my favorite work of the year as a result.

As it happened, Month of Fear coincided with an exciting contest hosted by Art Order called "Inspiration". Ok, so the truth is, it was not really a coincidence. The Art Order Inspiration challenge was actually a huge  incentive for following through with MoF. October was always my first choice for another art challenge BUT it was shaping up to be a very busy couple of  months. MoF very nearly didn't happen because I was already feeling a bit overwhelmed. However, wanting to push myself not only to  create something for Art Order but ready for another creative work-out like Month of Love , I found myself lying awake one night thinking things over. Suddenly a bunch of challenge ideas sprung into my head.  I turned on the light, wrote them all down and got really excited. The next morning, before I could talk myself out of it, I sent out an email to my trusty Month of Love family and a few more and we were off! There is nothing like the pressure of hosting an art challenge to silence excuses.

I've combined all my challenges with their original text below. I love charcoal and have been looking for an excuse to do more with it. Each piece was done in only a day or two (mostly weekends between teaching classes all week, other art and visiting family) so beyond all else, I am very proud of myself just for pushing my finishing speed/output. I'm particularly happy with challenge 2 (Passage) which was an image I've had in my head for a while but never got right until now and number 5, (Equinophobia) which was so much fun to play with in regards to texture. But it was number 3 (House of Leaves) that pushed me through a little conceptual wall and out the other side and a very satisfying way. It was the challenge I really wanted to do the best with, because the I have such a love for the subject matter. Often as an artist, the more you are attached to a subject, the harder it is to visually do it justice. This time,  however, things seemed to line up. The resulting image is not only one of my favorites of the year but it won a place in the ArtOrder Inspiration book!  Have a look at the other winners- what an amazing line-up. I am thrilled to be a part of it.

Now on to the present for a moment. I am excited to announce that due to popular demand,  Month of Love is going to run again! We now have even more amazing artists joining the line-up and this year is going to be even bigger. We liked the MoF format with the longer challenges and staggered posting system, so we're going to be adopting that for MoL.

On top of that, we have some  ideas brewing for our  art from these challenges.

So get ready- February is going to be a ride!  Follow us on twitter for updates and stay tuned! https://twitter.com/MonthofLove

Without further Ado- The Month of Fear:

Challenge 1: What Lives Under Your Bed?


Sub/Conscious
18 x 24 Charcoal
It's funny how many artists have trouble sleeping. I have rarely had that problem. I do however have a very vivid dream-life and a lot of anxiety so my sleep is too often full of activity. All the things that might keep others awake at night follow me into sleep and transform into every manner of nightmare.

Sometimes I wish I had insomnia.


Challenge 2: What is Your Recurring Nightmare?
Passage
18 x 24 Charcoal
I used to dream of flying all the time. I still do occasionally...but it's different now.When I was younger, it would be free and controlled. I would zip around, land on rooftops to watch people or sometimes even become a hero with magical powers. However, as I grew older, the dreams started to change. I had to concentrate a lot harder to fly or I wouldn't be able to control my speed and go up way too high then start falling or get stuck somewhere, having forgotten how to get started again. Then there were the wires. It would start fine- I would be flying great, ready to soar above the city and go wherever I wanted but suddenly there was a set of telephone wires in my way. I would try to go around but there were more. They were everywhere. At last, I try to go between them but I quickly get tangled up.

The worst part is when they start to electrocute me.


Challenge 3: Do an illustration for your favorite horror story.

House of Leaves
18 x 24 Charcoal
 I read House of Leaves by  Mark Z. Danielewski a few years ago and it is not only one of the best "horror" stories I have ever read, it is one of the best books I have ever read. I have always been drawn to labyrinths and everything about this book is a labyrinth.

It's very difficult book to describe. There are multiple narrators, each with individual stories, who peel back layers of a core story: a family moves into a house where things immediately start going strange. Its clear this more than just a house. A black closet appears out of nowhere and it is discovered that the house measures larger from inside than out.  Then a hallway appears that eventually leads to a massive underground labyrinth. Characters attempt to explore and then things get really interesting for not only the family, but each narrator that in turn attempts to uncover the truth.

 But all this isn't really just a book... It's more like a three dimensional work of interactive art. The way the book is written is very unconventional. The words on the page are often rearranged to reflect something happening in the story. Sometimes it's the madness of a character. Sometimes it's the speed in which you follow someone down miles of stairs. Sometimes it's the passage of time. It's often hard to follow but when you finally solve the puzzle of how to read a passage, it is that much more intimate and rewarding a story.



 
Challenge 4: What Terrified You as a Child


Run
18 x 24 Charcoal
Growing up, nearly every place I lived in had multiple floors and several of them required me to climb or descend stairs in order to get to and from my room either on a second floor or a basement. Even my ancient grade school had several floors with trembling creaking wooden stairs that I had to use to get to the bathrooms next to the creepy boiler room. While the worst stairs were always any basement stairs (obviously), pretty much any stairs seemed to trigger every scary story I had ever heard up to that point. Going down them was like a slow decent into inevitable horror- I knew something was going to be waiting down at the bottom.  (Especially when my bedroom was in the basement and I would go to bed after watching Unsolved Mysteries. ) Going up stairs, I was always being chased. Even now I occasionally have to feed the compulsion to run up stairs instead of walking.

Challenge 5: Pick a Phobia and Illustrate it:


Equinophobia
 There are so many interesting phobias out there. Fear of Gravity (Barophobia), Fear of Beautiful Women (Caligynephobia.)... More obscure and one could argue more interesting than the Fear of Horses. But the more I thought about it, the more I just couldn't get the  image of horses out of my head. Between Henri Fuseli's Nightmare horse and the familiar Carousel Horse (why do they always look like they're terrified and screaming?), this one needed to get exorcised. A bit rushed due to a very busy week but I think it does the job nonetheless.

Challenge 6: Illustrate a Halloween memory or write your own scary story to illustrate.



The Face in the Window
18 x 24 Charcoal
The Face in The Window
(A quick Halloween Story and Illustration by Kristina Carroll)


 "Three in the morn. The soul’s midnight. The tide goes out, the soul ebbs. "
-Ray Bradbury from Something Wicked This Way Comes

She lay in bed staring at the ceiling. She could probably move if she wanted to.  She tried to tell herself it was only that she was afraid to wake her husband, not that there was a larger dread lurking at the edge of her vision.  A growing certainty should she turn her head toward the window, there would be something there and the moment she saw it,  acknowledged its existence,  was the moment it would be free to attack.

She turned her head toward the window next to the bed.

A face stared back at her from outside.

She woke up with a start. It was 3am. Again. 

The woman stared at the ceiling for a few minutes but knowing she wouldn’t get anymore sleep that night, rolled out of bed and walked to the living room. She sat on the couch, glanced at her desk in the corner, with its piles of hand-written outline notes and a few chapters stacked around it on the floor. She turned on the TV and sighed. 

The dream had started a few months ago. It was always the same: paralysis, fear, look, face in the window, wake, 3am. It didn’t matter how many times it happened, it was always new in the dream. It was always the same fresh terror. 

The worst part is that it was happening with more and more frequency.


Wednesday, January 8, 2014

Holiday Card

I decided to do a little experimenting with my holiday card this year. I've been seeing so many artists I love doing neat things with adding metallic leaf to their work that I had to give it a try. I also wanted to see what would happen if I started with a watercolor under-painting and then do a little work with oil on top. (partly for speed and partly to play with texture/translucence) There was a lot about this experiment that I really liked and I can't wait to do it a little more. It's a difficult effect to reproduce (I tried to replicate it somewhat with an animation at the bottom) but I love the quality of the original.

pencil drawing

watercolor layer

Bouquet 1
watercolor, oil and silver-leaf on paper.







Thursday, November 14, 2013

Blue Assassin

Blue Assassin
6 x 6
oil on panel 
Playing with paint! Another quick character study I liked.

Wednesday, October 16, 2013

Shell and Spoon study


Just a quick oil painting study (about 1 hour), playing around with color and texture. Painting shells is such a fun challenge- I can't wait to do some more.

Thursday, September 26, 2013

Neil deGrasse Tyson


charcoal/digital
Neil deGrasse Tyson is simply one of my favorite human beings. The joy, passion and eloquence with which he discusses (and defends) science and astrophysics makes me grateful we share stardust. I've had this charcoal drawing floating around for a bit and decided I needed to toss some pixels onto it and share.

I am so so SO excited for his sequel to Carl Sagan's Cosmos next year:


(if you don't get chills watching this, we can't be friends)

Wednesday, September 11, 2013

Flux

"Flux"
6 x 6 oil on panel 
Another quickie oil sketch that I ended up liking. Maybe she wants more work, maybe she doesn't. But no matter how she ends up, sometimes those "in between" moments are fun to linger on.

I am working to get to a place of confidence where I can bring in some more of that "in betwee-ness" to my finished work. I think many realist painters end up going through something similar. I love the way it looks when done right- it brings an "alive-ness" to the piece and creates more of a dialogue with the viewer. Artists Like Jeffrey Catherine Jones, Rick Berry, Greg Manchess and Jeremy Mann do it beautifully.

I tell my students: Good art is as much about what you can leave out as what you can put in. And the first one is much, much harder to do well I think.

Wednesday, August 21, 2013

Amanda Palmer Tarot- The Seven of Wands

Some of you may have already heard about the Amanda Palmer Tarot Deck, it has been in the works for years now. Now the deck is finally going to see the light of day and I can share what I did for it! Thanks in large to Madeline Carol Matz, who started rallying the 78 or so amazing artists in earnest (no easy task!) and organized a kickstarter to get it properly off the ground, this deck is now happening in a big way! There are still a few weeks to get your own deck, so check it out and help us exceed our goal even more. The more this gets funded, the more the artists get paid!
Digital

The initial instruction way back when this assignment was first given was to base the card off a particular song. I always loved  Astronaut, from her Who Killed Amanda Palmer series and when I read the description of what the Seven of Wands stood for, it seemed a perfect match. For me, this song was about the people who are simply destined for greater things. You've met them.They have a little extra spark, they don't seem to have any fear and don't worry about failure. They are the mad geniuses who come along and shake up their corner of the world. The Prometheuses, the  Ãœbermensches. These are the people who make a lot of sacrifices and may give up a little of that human connection because they are so focused on doing something a little bit larger than life. They are magical and terrifying and we flock to them like moths to a flame.  Astronaut is the the song of the Moth.

I wanted my image to embody to that very human desire to steal fire from the gods.  While everyone has some capacity for this,  I think this is something especially familiar to artists. The creative struggle is long and hard and full of obstacles. Whether it's the people around us who are standing in our way  or own personal demons, it is an unending battle. But it's a battle worth fighting if, even for a moment, we get to touch a little fire.


Seven of Wands from the Rider-Waite Tarot deck
From the Wiki page for the card : "The Seven of Wands is a card that when upright, means a testing time calling for courage and tenacity for long-term success. In the Rider-Waite deck, the person braces themselves in a defensive pose against the other wands prodding in his direction. Looking strained and stressed, but standing firm, he appears to stand on a hill, or straddle a mountain range, to symbolise his strong footing. The Seven of Wands defender stands ready for battle. It is about defending the footing gained. It is the ability to cultivate the struggles at hand into a stronger position. He stands alone against a multitude, but perseveres. It is he alone who maintains the fight and is not beaten."



"Astronaut"
music and lyrics by Amanda Palmer

Is it enough to have some love
Small enough to slip inside a book.
Small enough to cover with your hand
Because everyone around you wants to look

Is it enough to have some love
Small enough to fit inside the cracks
The pieces don't fit together so good
With all the breaking and all the gluing back

And I am still not getting what I want
I want to touch the back of your right arm
I wish you could remind me who I was
Because every day I'm a little further off

But you are, my love, the astronaut
Flying in the face of science
I will gladly stay an afterthought
Just bring back some nice reminders

And is it getting harder to pretend
That life goes on without you in the wake?
And can you see the means without the end
In the random frantic action that we take?

And is it getting easy not to care
Despite the many rings around your name
It isn't funny and it isn't fair
You've traveled all this way and it's the same

But you are, my love, the astronaut
Flying in the face of science
I will gladly stay an afterthought
Just bring back some nice reminders

I would tell them anything to see you split the evening
But as you see I do not have an awful lot to tell
Everybody's sick for something that they can find fascinating
Everyone but you and even you aren't feeling well

Yes you are, my love, the astronaut
Crashing in the name of science
Just my luck they found your upper half
It's a very nice reminder
It's a very nice reminder

And you may be acquainted with the night
But I have seen the darkness in the day
And you must know it is a terrifying sight
Because you and I are living the same way