Showing posts with label drawings. Show all posts
Showing posts with label drawings. Show all posts

Monday, March 16, 2015

Month of Love 2015

Well another February has ended which means I have a bunch of new art from the 3rd annual Month of Love challenge!

A few things changed this year. I made a new website and switched platforms to Tumblr, which I think looks much nicer for our purposes. It was a really great year with some of the best overall quality of art yet! You can check out all the beautiful work, the challenges and the stories at http://monthofloveart.com/. 



I am also pleased that we were able to partner with Every Day Original this year and offer many of our originals for sale in one place! You can check them out at http://www.everydayoriginal.com/month-of-love/. 

Without further ado: here are my favorite pieces from this year's challenge:

Lady Nautilus and Companion
for the "Love is all Around" challenge
5 x 7 oil on panel
available for purchase from Every Day Original

"Lilith"
For the "Forbidden Fruit" challenge
5 x 7 oil on panel
available for purchase from Every Day Original 



"Halloween Jack"
For the "Diamonds" challenge
Watercolor

"Calamity's Child"
For the "Diamonds" challenge
Watercolor

"The Wolf and the Lamb"
For the "Love your Neighbor" challenge
16 x 20
charcoal
Some favorites by my friends. Clockwise from top left:
  Goni Montes, Wylie Beckert, Winona Nelson, Angela Rizza, Carly Mazur 

Sunday, March 15, 2015

Month of Fear 2014

I only just realized I never posted all my 2014 Month of Fear work here!  Bad, bad artist. The 2nd annual Month of Fear was AMAZING. Truly the best art yet- I was so inspired! You can check out all the amazing images and challenges at monthoffear.com. 

I think I made some of my new personal favorite work with this year's challenge as well. So here are the images and if you want to read the full stories about them, check out my Month of Fear page here.

"Leviathan"
18 x 24 charcoal
For the 2014 Month of Fear challenge: Demons

"Rabbit"
18 x 24 charcoal
For the 2014 Month of Fear challenge: Things that go Bump

"False Muse"
18 x 24 charcoal
For the 2014 Month of Fear challenge: What are you Afraid of?


"Unmase"
18 x 24 charcoal
For the 2014 Month of Fear challenge: Masks

Tuesday, September 16, 2014

Adventures in Charcoal - Prologue

Minotaur quickie sketch
powdered charcoal, charcoal pencil

Let me start by saying I love the internet. Social Media, while still massively flawed in many ways, does make it so easy to share information instantly and start a conversation with a ton of people.  A few weeks ago I put out a call on Facebook for input on charcoal brands. I've been loving the charcoal lately and  now that I am getting more comfortable with it, decided I needed to do some serious testing of the different options to up my game. Namely I wanted to find a charcoal with a smoother and more consistent application than what I have been using.   I got some great suggestions and immediately took advantage of all the Dick Blick back to school sales and free shipping to fill out my burnt wood collection. Charcoal is a very tricky mistress. She's messy and flexible which is what makes her fun but a little hard to control sometimes. 

So in the spirit of art and the scientific method: I bring you Adventures in Charcoal! (feel free to hum some dramatic music)

Here are a bunch of my new (and some old)  toys I will be playing with :

It's like Christmas! I must have been very, very naughty to get all this coal. 

 The new players: 

Alphacolor charkoles recommended by Bill Carman

Coates recommended by Scott  and Teresa Fischer


Pan Pastels recommended by Eric Braddock and Dale Stephanos
Eric used these on his amazing Lord of the Rings drawings.

Nitram recommended by Robert Hunt

I really wanted to play with some of those big sticks, so tried out a quick experiment with the Nitram charcoals right away with this self portrait below.


Self Portrait
18 x 24
nitram charcoal on 300 series Strathmore charcoal paper
Right off the bat I noticed that the Nitram holds onto the paper better than a typical vine charcoal.  Often I prefer the 300 series charcoal pad from Strathmore because it has slightly less tooth and so I can float the charcoal on top a little easier, move it around with a brush or chamois and erase to white. The flipside to that is building up darks gets tricky. But with the Nitram I can build it up a bit thicker, get some darker colors and still erase. It doesn't go on quite as smooth as a soft vine charcoal but is still pretty consistent. Plus the larger. firmer sticks really lend themselves to filing into useful shapes which I will discuss more in a later post.

Over the next several weeks I will be experimenting with all of these more and posting my results. So please stay tuned and let me know if you have your own tips and tricks!

Friday, September 12, 2014

Figurative Friday 6 - Self Portrait

It's been a while since I did a proper self portrait from life and it was about time I captured the crazy hair anyways. Plus, I just got a huge supply of new charcoal toys to play with and couldn't wait to try some out . I will talk more in depth about the different brands and how they are to use in a later post but so far  the Nitram is quite lovely.
Nitram Charcoal on Strathmore 300 series pad


Wednesday, March 12, 2014

The Minotaur


The Minotaur
Oil on board
16 x 20

A while ago I was invited to contribute a piece to the first volume of the Fantasy Illustration Library by Michael Publishing.This high end art book will explore mythology from all over the globe with hundreds of new works of art. Not only was I thrilled to join the ranks of over 100 terrific artists (such as Donato Giancola and Michael C. Hayes) and but it gave me the opportunity to explore a character that I've been wanting to paint for a long time: The Minotaur.

Excerpt from the book:

I’ve always been drawn to stories involving labyrinths so naturally I love the Minotaur myth. I feel empathy toward the Minotaur. I see him as an innocent suffering for the sins of his parents and the whims of the gods. His story is usually overshadowed by the hero tale of Theseus where he is the lowly monster at the center of the maze to be defeated. However, the Minotaur is half human and was raised briefly with his human family so couldn’t have been all beast when he was imprisoned in Daedalus’ Labyrinth.  I imagined him as a king over a lonely domain. His human half craved beauty and so he taught himself to carve to pass the time. Many hours were counted in spirals carved into the stone and the walls became covered in years as he made his prison beautiful.

I spent some extra time getting reference for this piece since I knew I wanted the lighting to be very atmospheric and was dealing with some uncharted territory in the anatomy and some of the architecture ideas. Getting a good model (the amazing Dennis!) and taking a quick hour to build a small maquette and light it made all the difference.


One of many pages of thumbnails
One of many photos of Dennis from the photoshoot

Clay model approx 6 inches high



Some preliminary studies to prep for drawing
Preliminary Charcoal drawing
16 x 20
Digital color study

Final

Wednesday, January 22, 2014

Fear, Love and Art Order


Inspire
 1. Fill with the urge or ability to do or feel something, especially to do something creative:
2. To cause (something) to happen or be created
 from the Latin inspirare 'breathe into',

In October I hosted another month-long art challenge blog called Month of Fear with over 20 artists contributing. There was a ton of tremendous new work from everyone and I created some of my favorite work of the year as a result.

As it happened, Month of Fear coincided with an exciting contest hosted by Art Order called "Inspiration". Ok, so the truth is, it was not really a coincidence. The Art Order Inspiration challenge was actually a huge  incentive for following through with MoF. October was always my first choice for another art challenge BUT it was shaping up to be a very busy couple of  months. MoF very nearly didn't happen because I was already feeling a bit overwhelmed. However, wanting to push myself not only to  create something for Art Order but ready for another creative work-out like Month of Love , I found myself lying awake one night thinking things over. Suddenly a bunch of challenge ideas sprung into my head.  I turned on the light, wrote them all down and got really excited. The next morning, before I could talk myself out of it, I sent out an email to my trusty Month of Love family and a few more and we were off! There is nothing like the pressure of hosting an art challenge to silence excuses.

I've combined all my challenges with their original text below. I love charcoal and have been looking for an excuse to do more with it. Each piece was done in only a day or two (mostly weekends between teaching classes all week, other art and visiting family) so beyond all else, I am very proud of myself just for pushing my finishing speed/output. I'm particularly happy with challenge 2 (Passage) which was an image I've had in my head for a while but never got right until now and number 5, (Equinophobia) which was so much fun to play with in regards to texture. But it was number 3 (House of Leaves) that pushed me through a little conceptual wall and out the other side and a very satisfying way. It was the challenge I really wanted to do the best with, because the I have such a love for the subject matter. Often as an artist, the more you are attached to a subject, the harder it is to visually do it justice. This time,  however, things seemed to line up. The resulting image is not only one of my favorites of the year but it won a place in the ArtOrder Inspiration book!  Have a look at the other winners- what an amazing line-up. I am thrilled to be a part of it.

Now on to the present for a moment. I am excited to announce that due to popular demand,  Month of Love is going to run again! We now have even more amazing artists joining the line-up and this year is going to be even bigger. We liked the MoF format with the longer challenges and staggered posting system, so we're going to be adopting that for MoL.

On top of that, we have some  ideas brewing for our  art from these challenges.

So get ready- February is going to be a ride!  Follow us on twitter for updates and stay tuned! https://twitter.com/MonthofLove

Without further Ado- The Month of Fear:

Challenge 1: What Lives Under Your Bed?


Sub/Conscious
18 x 24 Charcoal
It's funny how many artists have trouble sleeping. I have rarely had that problem. I do however have a very vivid dream-life and a lot of anxiety so my sleep is too often full of activity. All the things that might keep others awake at night follow me into sleep and transform into every manner of nightmare.

Sometimes I wish I had insomnia.


Challenge 2: What is Your Recurring Nightmare?
Passage
18 x 24 Charcoal
I used to dream of flying all the time. I still do occasionally...but it's different now.When I was younger, it would be free and controlled. I would zip around, land on rooftops to watch people or sometimes even become a hero with magical powers. However, as I grew older, the dreams started to change. I had to concentrate a lot harder to fly or I wouldn't be able to control my speed and go up way too high then start falling or get stuck somewhere, having forgotten how to get started again. Then there were the wires. It would start fine- I would be flying great, ready to soar above the city and go wherever I wanted but suddenly there was a set of telephone wires in my way. I would try to go around but there were more. They were everywhere. At last, I try to go between them but I quickly get tangled up.

The worst part is when they start to electrocute me.


Challenge 3: Do an illustration for your favorite horror story.

House of Leaves
18 x 24 Charcoal
 I read House of Leaves by  Mark Z. Danielewski a few years ago and it is not only one of the best "horror" stories I have ever read, it is one of the best books I have ever read. I have always been drawn to labyrinths and everything about this book is a labyrinth.

It's very difficult book to describe. There are multiple narrators, each with individual stories, who peel back layers of a core story: a family moves into a house where things immediately start going strange. Its clear this more than just a house. A black closet appears out of nowhere and it is discovered that the house measures larger from inside than out.  Then a hallway appears that eventually leads to a massive underground labyrinth. Characters attempt to explore and then things get really interesting for not only the family, but each narrator that in turn attempts to uncover the truth.

 But all this isn't really just a book... It's more like a three dimensional work of interactive art. The way the book is written is very unconventional. The words on the page are often rearranged to reflect something happening in the story. Sometimes it's the madness of a character. Sometimes it's the speed in which you follow someone down miles of stairs. Sometimes it's the passage of time. It's often hard to follow but when you finally solve the puzzle of how to read a passage, it is that much more intimate and rewarding a story.



 
Challenge 4: What Terrified You as a Child


Run
18 x 24 Charcoal
Growing up, nearly every place I lived in had multiple floors and several of them required me to climb or descend stairs in order to get to and from my room either on a second floor or a basement. Even my ancient grade school had several floors with trembling creaking wooden stairs that I had to use to get to the bathrooms next to the creepy boiler room. While the worst stairs were always any basement stairs (obviously), pretty much any stairs seemed to trigger every scary story I had ever heard up to that point. Going down them was like a slow decent into inevitable horror- I knew something was going to be waiting down at the bottom.  (Especially when my bedroom was in the basement and I would go to bed after watching Unsolved Mysteries. ) Going up stairs, I was always being chased. Even now I occasionally have to feed the compulsion to run up stairs instead of walking.

Challenge 5: Pick a Phobia and Illustrate it:


Equinophobia
 There are so many interesting phobias out there. Fear of Gravity (Barophobia), Fear of Beautiful Women (Caligynephobia.)... More obscure and one could argue more interesting than the Fear of Horses. But the more I thought about it, the more I just couldn't get the  image of horses out of my head. Between Henri Fuseli's Nightmare horse and the familiar Carousel Horse (why do they always look like they're terrified and screaming?), this one needed to get exorcised. A bit rushed due to a very busy week but I think it does the job nonetheless.

Challenge 6: Illustrate a Halloween memory or write your own scary story to illustrate.



The Face in the Window
18 x 24 Charcoal
The Face in The Window
(A quick Halloween Story and Illustration by Kristina Carroll)


 "Three in the morn. The soul’s midnight. The tide goes out, the soul ebbs. "
-Ray Bradbury from Something Wicked This Way Comes

She lay in bed staring at the ceiling. She could probably move if she wanted to.  She tried to tell herself it was only that she was afraid to wake her husband, not that there was a larger dread lurking at the edge of her vision.  A growing certainty should she turn her head toward the window, there would be something there and the moment she saw it,  acknowledged its existence,  was the moment it would be free to attack.

She turned her head toward the window next to the bed.

A face stared back at her from outside.

She woke up with a start. It was 3am. Again. 

The woman stared at the ceiling for a few minutes but knowing she wouldn’t get anymore sleep that night, rolled out of bed and walked to the living room. She sat on the couch, glanced at her desk in the corner, with its piles of hand-written outline notes and a few chapters stacked around it on the floor. She turned on the TV and sighed. 

The dream had started a few months ago. It was always the same: paralysis, fear, look, face in the window, wake, 3am. It didn’t matter how many times it happened, it was always new in the dream. It was always the same fresh terror. 

The worst part is that it was happening with more and more frequency.


Wednesday, January 8, 2014

Holiday Card

I decided to do a little experimenting with my holiday card this year. I've been seeing so many artists I love doing neat things with adding metallic leaf to their work that I had to give it a try. I also wanted to see what would happen if I started with a watercolor under-painting and then do a little work with oil on top. (partly for speed and partly to play with texture/translucence) There was a lot about this experiment that I really liked and I can't wait to do it a little more. It's a difficult effect to reproduce (I tried to replicate it somewhat with an animation at the bottom) but I love the quality of the original.

pencil drawing

watercolor layer

Bouquet 1
watercolor, oil and silver-leaf on paper.







Thursday, August 8, 2013

Lucy Blueskies

I finally got around to some figure drawing this week at the Boston Figurative Art Center. They had a young Burlesque model, Lucy Blueskies, who was great. I got a few fun sketches and a watercolor in:





Thursday, July 25, 2013

The Frog Queen's Revenge

Earlier this year Jim Burke asked me to contribute a piece to the Dellas Graphics Frogfolio. If you've never heard of it, basically it's a calendar featuring all frog-themed illustrations. Some of my favorite artists have been included in this showcase (Victo Ngai, Sam Weber, Yuko Shimizu, the list goes on. Leigh Guldig did the cover illustration) and I was thrilled  to be asked.

Almost immediately I knew I wanted to do something around the old Brothers Grimm story of the Frog Prince (read here if unfamiliar). I never really liked the princess in this story- she's sort of a brat. I thought, what is the story that isn't getting told here? With this seed planted and many sketches later, I discovered what I wanted to do: a sequel.

Because I create better when I have a solid story, I kept  fleshing out details of the sequel in my head as I worked out the image.  I realized I quite liked this character. I not only wanted to paint her, I wanted to tell her whole story. So after I finished the painting,  I sat down and wrote it out.

So here you are: a brand new painting and some Grimm Brothers fan-fiction to go along. I hope you like it! There are some notes on the process at the end.

16 x 20
oil on panel

The Frog Queen’s Revenge
by Kristina Carroll

When the large, ugly frog that had followed the little Princess up from the forest turned out to be an enchanted Prince, the Kingdom rejoiced. What a handsome Prince! What a rich kingdom he’s from! What a lucky girl to break the spell! There were lavish feasts and colorful parades. The well in the dark forest behind the castle where the frog had lived was even given a shiny bronze plaque.

 The King had been especially pleased. The Princess may have been a bit too young to marry, but she was near enough. It was no secret that the Kingdom was no longer rich and the King had very little to offer in the way of dowries. The chance to send the girl off with just a small corner of land and a new, powerful family member was more than he could have ever hoped for. Thank goodness for witches! He’d thought. The bond that comes from spell breaking was sacred and absolute. Though the Princess was already quite beautiful for one so young with golden hair and a rosy mouth, beauty did not win wars or pay for roads. The King knew that all too well. Breaking the Prince’s enchantment was the only way the little Princess could have ever made such a rich and powerful match.  The King now thanked the good fortune that had led the Frog to their castle that night.
At first, when the slimy thing knocked on the door of the castle saying the Princess had made a deal with it, the King had been red with anger and beat the Princess. She tearfully admitted to going down to the well to play with her favorite toy: a little golden ball that had belonged to her mother. She’d been playing too close to the edge, peering down into its depths, when suddenly the frog jumped out at her. Startled, she dropped the ball and watched it disappear into the darkness.  The Princess thought of how angry her father would be at her losing the precious toy and was frightened. She could only say yes when the frog offered to retrieve her ball in exchange for a promise to bring it to the castle as her companion. However, when it returned and she was faced with carrying the ugly creature back, she grew scared and ran away.
                 Normally the King would have simply stepped on such a disgusting thing, talking or not, if it came knocking on the door claiming a debt owed. However, the King thought it a very clever punishment to make the frog eat from the girl’s plate and then send it off to bed with her. She was clearly repulsed by it.
                “When you are so careless that you need to enlist the aid of slimy creatures that crawl upon the ground, you have earned no better than to share your bed with them.” The King growled as the Princess sat weeping on the stone floor and wiping a bleeding lip.  “We are royalty, child! The source of our power defines us!”

Clearly fortune had rewarded the King’s wisdom and good sense. He never did ask exactly how the spell had been broken, he didn’t care. All that mattered was that the Princess was gone to be wed in the far off kingdom and he’d already received a very generous gift of fine silks from the Prince that he could begin trading.

◊◊◊

When the young Princess arrived in the Frog’s kingdom, (for in her mind, he would always be The Frog) she was terrified. The customs, language, dress and even the weather were all alien to her. She was utterly alone apart from an old, one-eyed handmaid that was given to her. And when her wedding came, she spent the first of many nights silently sobbing on her side of their bed.

The Frog may have changed his form, but it was soon clear he was still slimy and was not kind. His father, the old King, was blind and useless so the Frog Prince was ruler in all but name and wielded his power cruelly. She wished she could once again throw him against the wall of her bedchamber like she did that first night he’d crawled, slippery and cold, into bed with her. She fantasized about the violence turning him back into the little wet creature and then ripping off his legs to be fried for her supper. (The Princess had found a delicious irony that frog legs were actually a delicacy in this Kingdom and ate them whenever she could.)

                When the Princess woke one cold, winter morning with red on her sheets, she was certain she was dying. She sat shivering and horrified as her old handmaid explained what was happening and what it meant.
                “Don’t be afraid, little bird.” The handmaid had said with a soft voice and a spark in her good eye as she stroked the girl’s hair. ‘Little Bird’ was the handmaid’s nick-name for the Princess: ‘Because all Princesses are little birds: pretty things in pretty cages.’  She was old and strange and spoke in riddles most of the time, but she had helped the Princess learn the ways of the kingdom and was the closest thing the girl had to a friend.  The Princess had asked the handmaid once how she lost her eye, but the old woman had just smiled.
                “Don’t be afraid,” the handmaid repeated, “for now the little bird has the power of life. This is a very strong power and it is only for the little birds. ”
                The Princess didn’t fully understand what the old handmaid had meant but for some reason her father’s words came back to her then: The source of our power defines us.

This secret could not be kept from the Frog and he became gentler for a time. Yet when the seasons came around to winter again and her belly still did not swell, he grew colder. Then the Frog’s old, blind father died. The Frog Prince and Princess were to become Frog King and Queen soon.  Finally the Frog turned from cold to hot with anger.  He came to the Princess’s chambers one day in a rage and threw her to the floor. He told her that spell-breaker or not, if she would not give him a son, he would have her thrown in the dungeons and forgotten.
    After the Frog left, the old handmaid helped the Princess rise off the stones. The girl looked through unshed tears at a canary in its elaborate gilded cage, a gift from her handmaid. It was still flitting around in agitation from the excitement.
                 “Grandmother…” The Princess began, using the endearment she had adopted for her handmaid in private, “Little birds have the power of life, it’s true. Our canary here has had many chicks. But do they not also have sharp beaks? I still have a scar on my hand from when I tried to take out one of her eggs to look at.”
                At this, the corner of the handmaid’s mouth turned up a bit and with a strange glint in her eye she took the Princess’s hands in her own. She looked very hard at the Princess for a long time, until the girl grew afraid. When she tried to break away, the old woman’s grip was iron.
                “Yes. You are ready I think.” The handmaid said finally. Then she began to tell a story. The Princess’s eyes grew wide first in surprise, then fear and finally, hunger.

                The handmaid told of a Prince who was spoiled and cruel. He liked to torment the servants, especially the girls. When a particular young handmaid fought back, scratching his face, he had one of his soldiers hold her down while he cut out one of her eyes with a knife. He kept the eye in an amulet around his neck as a warning to anyone else who might defy him. However, the young handmaid only grew strong in her anger and so she sought out a witch to teach her of those secret magics known only to women. Many years she practiced and grew more powerful just as the Prince grew crueler. When finally it was time for the Prince to choose a wife, the handmaid was ready with her magic and cast an enchantment.  The Prince chose a Princess, beautiful and rich, from a far off kingdom. However, when he took his new wife to their bedchamber on their wedding night and closed the door; she suddenly turned into a rotting corpse. His screaming brought the guards but as soon as others were beholding the girl, she turned beautiful again.  Certain of some dark magic, he had his wife thrown in the dungeon and married again. Once more, as soon as he took his new wife to their bedchamber, she turned into a corpse. He kept trying, but every new girl, while lovely in anyone else’s presence, became rotting and putrid as soon as they were alone. At last the madness and humiliation drove him to a fit of desperation. The Prince took his knife and cut out his own eyes, breaking the spell. Finally he was able to bed his newest wife, who was plain and not from a rich Kingdom but kind and wise. When the Prince’s father died and they became King and Queen, she became the power behind the throne. She ordered all his previous wives released from the dungeons and returned to their homes. Next to the King, she ruled the kingdom well for many years.

                “Unfortunately she died giving birth to their only child. A boy. Without the Queen, the old cruelty passed from father to son and I saw the pattern repeating itself. The Prince liked to torture small creatures so I decided to turn him into one of them. The spell would not be broken until a Princess made him feel as helpless as the little things he tormented. I had hoped it would teach him a lesson, but perhaps even my power wasn’t strong enough in his case.”
                The handmaid ended her story and released the Princess’s hands. The girl stared hard at the floor for several long minutes and then straightened her back and raised her chin.
                “You will teach me.” It was not a question.
    The old handmaid looked at the Princess for a long time. Then she smiled.

◊◊◊

                Years after the young King mysteriously disappeared, supposedly on some crusade or another; the land had grown fruitful and prosperous under the Queen’s rule.  Although she may have been a bit young to be Queen, she was wise and no one missed the cruel King. Still, tales began spreading to other Kingdoms about the wealth to be found in the Kingless land, tempting those who thought to claim it.  Though many armies marched, and many suitors came, the Queen turned aside every last challenge to her power.

                 There were whispers of witchcraft, but they never became louder than whispers. The Kingdom loved the Queen and only grew richer under her rule and so, Witch or not, the people would not speak against her.
                However, the Queen did have one particular strangeness that kept the whispers from dying out completely. More than the lavish balls, the string of lovers, the eccentric fashions, it was her crown that kept the hushed rumors going.
                After the King had disappeared and she took his throne, the Queen decided that she needed a new symbol for her power as ruler.  She took an elaborate gilded cage and had it fashioned to sit comfortably on her head. It towered above her in a dance of sparkling ornament and delicate bars. Still, it was not so much the new crown itself that was unusual. It was the other thing.

                For always inside the cage, contrasting with the beautiful craftsmanship, it sat.  Looking out dolefully from two wet, yellow eyes and occasionally giving a half-hearted croak was a very large, very ugly frog.


 ◊ The End ◊



Preliminary Drawing
Pencil on Paper

Below is one of my early concepts that I started mocking up digitally. I really liked it but worried that the full body composition would make the frog too small. It was important he got noticed.


Some thumbnails and quick value study:



I love high fashion and try to steal from it whenever I can. Tex Saverio and Alexander McQueen are two of my favorite designers. They provided a lot of inspiration for this piece.

Tex Saverio
Alexander McQueen
Photo by Scott Bakal